In the West you can find,
taking a road trip, say,
in a lot,
a cyst hugging your dead highway,
advertised on a billboard,
sixteen miles to a
two-bit tourist trap,
planted squat in dusty soil,
one thin shadow
cast a dark arm sweep away
from the sun with the
turning.
The reaching obelisk that throws
this long trench bears an inscription,
the epigraph chipped away by
the fury of a wind some juniper branch
no longer guards against,
which reads, pompous and ominous,
“Here lies your ensuing spawn.”
You wouldn’t know it glancing
through the half set window
out to the empty graveland
radiating from that nuclear monument,
the idle acres
layered uneasily atop a sedimentary
necropolis whose architect
was divine
conquest and the cherub Progress,
that it is not, in fact, a cemetery
where mourners gather to deposit
lonely orchids and lilies and desert daisies,
but is instead a laboratory,
sterile and scrubbed clean
and deliberately ordered as any.
And this lab is not a house for indulging
funded curiosity,
but one experiment only,
replicated over and over,
intended to discover one thing only:
what may rent space in the accidental void
carved out by endless twitching impulses,
the constant series of
hunger boredom lust
fear fear fear
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